Yesterday morning, I made it to the halfway point in my November book. I surpassed 25,000 words. Of course, this doesn't mean the book is halfway done because I always try to keep writing clear to the final word, which almost always is well beyond the 50,000 word goal. But, still, I feel encouraged that it is going so well.
I'm going to try to have another 4000 word day today because I know I will be gone for much of the morning and afternoon tomorrow. I'll be playing my horn with a small ensemble to kick off The Salvation Army's kettle campaign in Indianapolis. It is supposed to be cold, so I hope my horn valves don't freeze up. I have purchased hand and foot warmers because I remember how cold my feet were last year.
I'm finding my morning walks around the high school track to be especially productive. I have resumed that practice and left off walking on the treadmill while listening to books. Thus, due to the writing and track-walking, I haven't been getting in as much reading. Still, I'm close to finishing one book and halfway through another.
Tuesday, November 11, 2014
Friday, November 7, 2014
Book Review: The Wonder of All Things
The inside cover declares: "On the heels of his critically acclaimed and New York Times bestselling debut novel, The Returned, Jason Mott delivers a spellbinding tale of love and sacrifice." I thought his what-if premise for the first book was intriguing and he has done it again with another interesting idea. This time the reader is asked to consider what might happen if a young girl had the power to heal someone else by laying hands on them, but diminished in her own strength with each healing action.
The Wonder of All Things begins on an ordinary day, when an air show is taking place in the small town of Stone Temple. Suddenly something goes wrong and the plane dives to the ground, hitting spectators and field alike. In the rubble of the debris, two young teens are found huddled together, the boy, Wash, with a pipe through his side, and the girl, Ava, looking desperately alarmed. While someone films on a cell phone, Ava pulls the pipe out and puts her hands on Wash's side. Miraculously, the wound heals completely. As would be expected, the coverage goes viral. All manner of rabble descend upon the little town of Stone Temple.
Everyone wants healing from the little wonder girl. Questions are raised about her responsibility to utilize the gift she has obviously been given. The story follows the development, in one line, of the girl's relationship with her deceased mother, and in another line, of the girl's relationship with her beloved friend, Wash. While Ava's father tries to determine the best way to protect his daughter, Ava herself must determine when and how she will use her remarkable gift, despite the personal cost.
While there were many interesting concepts raised for contemplation, the story followed a predictable arc and it still left me not quite as sucked in as I would have liked. Of course, I'm assuming some of that might be due to my own focus on my intense writing schedule at the moment. When you are eating, sleeping, and breathing your own story, it can sometimes be hard to let go and fully get engrossed in another story. It was a worthwhile tale and I expect more great things from Mott.
The Wonder of All Things begins on an ordinary day, when an air show is taking place in the small town of Stone Temple. Suddenly something goes wrong and the plane dives to the ground, hitting spectators and field alike. In the rubble of the debris, two young teens are found huddled together, the boy, Wash, with a pipe through his side, and the girl, Ava, looking desperately alarmed. While someone films on a cell phone, Ava pulls the pipe out and puts her hands on Wash's side. Miraculously, the wound heals completely. As would be expected, the coverage goes viral. All manner of rabble descend upon the little town of Stone Temple.
Everyone wants healing from the little wonder girl. Questions are raised about her responsibility to utilize the gift she has obviously been given. The story follows the development, in one line, of the girl's relationship with her deceased mother, and in another line, of the girl's relationship with her beloved friend, Wash. While Ava's father tries to determine the best way to protect his daughter, Ava herself must determine when and how she will use her remarkable gift, despite the personal cost.
While there were many interesting concepts raised for contemplation, the story followed a predictable arc and it still left me not quite as sucked in as I would have liked. Of course, I'm assuming some of that might be due to my own focus on my intense writing schedule at the moment. When you are eating, sleeping, and breathing your own story, it can sometimes be hard to let go and fully get engrossed in another story. It was a worthwhile tale and I expect more great things from Mott.
Tuesday, November 4, 2014
Nanowrimo - One Fifth In
I am one fifth of the way through in my goal to write 50,000 words this month. I have been trying to write 2000 words a day, but managed to crank out 4,300 today. I guess I just hit a flow point. Having done this before, I know that the beginning often takes off well and then you hit the middle and begin to lose steam. We shall see how it goes.
While I'm not overly thrilled with what I've written so far (it rambles a bit and lacks focus), I haven't had trouble knowing what to write about, so that is good. I don't really know what to call it. It is fiction based on personal experience. I think I've nailed the voice, but not the structure yet. Thankfully, the blessing of Nanowrimo is getting the words down and worrying about structure and refinement at a later date. If you are participating in Nanowrimo, I wish you all the best. It was instrumental in helping me to finally finish a manuscript (after years of starting and then abandoning projects). Viva la Nanowrimo!
While I'm not overly thrilled with what I've written so far (it rambles a bit and lacks focus), I haven't had trouble knowing what to write about, so that is good. I don't really know what to call it. It is fiction based on personal experience. I think I've nailed the voice, but not the structure yet. Thankfully, the blessing of Nanowrimo is getting the words down and worrying about structure and refinement at a later date. If you are participating in Nanowrimo, I wish you all the best. It was instrumental in helping me to finally finish a manuscript (after years of starting and then abandoning projects). Viva la Nanowrimo!
Book Review: Fearless Confessions
Because I was toying with the idea of working on a memoir, I checked my library's holdings to see what other books they had besides the Beth Kephart one I read awhile back, Handling the Truth. Once again, just like with Kephart's book, I'm doubtful that this is the best out there in terms of books about writing memoir. Even though I haven't found it, I'm certain there's a book which would make me stand up and say, now that is some practical, helpful, well-organized advice on writing a memoir. Although, this wasn't it, Fearless Confessions: A Writer's Guide to Memoir, does do a decent job of discussing the genre and what it takes to bleed out a memoir. The author has written two memoirs, so she has experience with the genre.
I certainly benefited from reading this book. I think it helped me in my start, anyway. I was reminded to focus on sensory imagery and also to plan the arc of the story or plot how the book will be laid out. Each chapter concluded with helpful writing exercises and, while I didn't take the time to participate in these exercises, I felt they were well-done. Another benefit of the book is the mention of many memoir titles (including an extensive reading list at the end of the book, divided into categories by subject), a defense for writing memoir, and examples of some quality memoir-styled writing (most of these were personal experience essays, since she couldn't exactly include whole memoirs, obviously).
I came away from this book encouraged to admit that I do, indeed, have a story to tell (everyone has a story within them waiting to get out in some way or form). I'm still not sure whether I will share my story in memoir form or simply in a fictional form with an autobiographical foundation. As Silverman observes, it does take a certain sense of fearlessness to put one's self out there in a brutally honest memoir. Even if I have an important story to share, I'm not sure I have the guts for fearless confessions.
I certainly benefited from reading this book. I think it helped me in my start, anyway. I was reminded to focus on sensory imagery and also to plan the arc of the story or plot how the book will be laid out. Each chapter concluded with helpful writing exercises and, while I didn't take the time to participate in these exercises, I felt they were well-done. Another benefit of the book is the mention of many memoir titles (including an extensive reading list at the end of the book, divided into categories by subject), a defense for writing memoir, and examples of some quality memoir-styled writing (most of these were personal experience essays, since she couldn't exactly include whole memoirs, obviously).
I came away from this book encouraged to admit that I do, indeed, have a story to tell (everyone has a story within them waiting to get out in some way or form). I'm still not sure whether I will share my story in memoir form or simply in a fictional form with an autobiographical foundation. As Silverman observes, it does take a certain sense of fearlessness to put one's self out there in a brutally honest memoir. Even if I have an important story to share, I'm not sure I have the guts for fearless confessions.
Saturday, November 1, 2014
Book Review: Now I See You
I have both a friend who is losing her sight and a brother-in-law who is dealing with an endless nightmare related to a detached retina. My friend is an artist. She makes mosaics and when I think of her, I cannot help but wonder how terrifying it must be to lose the gift of vision. My eyes are not what they once were. I have to wear glasses and will eventually be fitted with bifocals, no doubt, but I don't live under the sentence of significant vision loss. I can only imagine how terrifying that must be.
Thus, I put myself in another's shoes by opening this book, Now I See You, a memoir by Nicole C. Kear, who is in the process of losing her sight while still in her thirties. At the tender age of nineteen, she was informed of a diagnosis of retinitis pigmentosa, an untreatable condition which promises to render her blind in a little over a decade. How devastating to receive such dire news at such a young age. In her tale, she explains how she fought acceptance of the disease tooth and nail. She is basically big into denial and refuses to admit that anything is amiss, choosing instead to live life with gusto.
This story was well-written and carried me deep into a landscape I've never known. If I think about it, though, I doubt I would have responded in the same way. I'm guessing that I would have wanted other people to know what was going on with me, both for their support and for their understanding when things would seem amiss. Then again, I've never been in those shoes, so I cannot say with certainty that I would take the road of confession over the road of denial. Even if I couldn't relate to the desire to keep others in the dark (ha), I could certainly relate to the longings of human nature for the opportunities to see her children and to achieve her dreams. It was an eye-opening read and affirmed the truths that obstacles can be overcome and that life is precious despite the set-backs we face.
Thus, I put myself in another's shoes by opening this book, Now I See You, a memoir by Nicole C. Kear, who is in the process of losing her sight while still in her thirties. At the tender age of nineteen, she was informed of a diagnosis of retinitis pigmentosa, an untreatable condition which promises to render her blind in a little over a decade. How devastating to receive such dire news at such a young age. In her tale, she explains how she fought acceptance of the disease tooth and nail. She is basically big into denial and refuses to admit that anything is amiss, choosing instead to live life with gusto.
This story was well-written and carried me deep into a landscape I've never known. If I think about it, though, I doubt I would have responded in the same way. I'm guessing that I would have wanted other people to know what was going on with me, both for their support and for their understanding when things would seem amiss. Then again, I've never been in those shoes, so I cannot say with certainty that I would take the road of confession over the road of denial. Even if I couldn't relate to the desire to keep others in the dark (ha), I could certainly relate to the longings of human nature for the opportunities to see her children and to achieve her dreams. It was an eye-opening read and affirmed the truths that obstacles can be overcome and that life is precious despite the set-backs we face.
Wednesday, October 29, 2014
Book Review: Why Smart Kids Worry
I remember what it was like to be a kid filled with worry and anxiety over the issue of medical visits and upcoming shots. I spent hours obsessing over the inevitable. I also worried about dying in a fire, for some reason. I remember countless nights of pouring out my heart's great fears to my father and having him pray over me to silence the concerns I felt. While prayer is a wonderful, powerful tool for helping a child to cope with anxiety, this book offers additional tools for parents to use if and when their children face anxiety and intense worry.
In Why Smart Kids Worry: And What Parents Can Do to Help, licensed professional counselor Allison Edwards guides parents through the issues of anxiety in children. The first half of the book is devoted to exploring why smart kids tend to worry. Gifted children often have a higher intellectual processing ability, and therefore tease out possibilities to a further extent than other children. While an average kid might realize that some people die, a gifted child can take that thought to the next level and realize that he/she might be one of them. The second part of the book focuses on tools a parent can use to help alleviate or diminish some of those feelings of anxiety. I felt the tools were the most valuable part of the book and therefore, if you have a child experiencing anxiety but lack time to devote to the whole of this book, you could really skim the first section and focus your attention primarily on the tools at the end of the book.
I can appreciate the author's warning that our children are presented with more information than ever before. I lived a fairly shielded life. I don't remember my parents discussing awful things going on in the world. I don't remember watching the news with them or hearing about epidemics or diseases or warfare. Yet, I know that I was a child filled with anxiety. My own life experiences had caused me to fear shots and medical situations and to be aware that children sometimes die of cancer (my childhood friend died of cancer). However, when I think about my own children, it is clear that efforts to shield them will be far more difficult to manage. They simply have access to far more information than I ever did.
For example, I made a point of telling my husband not to mention the Ebola situation to our boys and yet, not a day later, my middle son came to me to ask what Ebola was because he saw it mentioned on a vine he had watched. I know there are some parents who simply don't allow their children to have access to computers without their constant supervision (how do they manage that?), but inevitably the subject is viewed by other kids and brought up on the school playground. So, even if I restricted my son from watching vines, he would probably still come across information which could prompt great anxiety.
I believe, as a parent, my goal is not to shield my child from every possible ill or anxiety, but more to teach them to monitor their own use and manage their own emotional needs. Thus, I was quite interested to note several of the more promising tools suggested in the final portion of the book. These are tools which would not only assist children with anxieties, but also parents who experience anxiety (thus, they are things I will attempt to employ in my own life).
Here are some of the more helpful tools mentioned: "Square-breathing." You encourage the child to visualize the four sides of a square and using this image, then breathe in for four counts, hold for four counts, breathe out for four counts, and rest for four counts. "Worry time" emphasizes the need to schedule a particular, limited time for focusing on worries. "Changing the channel" simply encourages you to switch gears so the child can move on to something different with the promise of returning to the worry at a more conducive time. "The five question rule" limits the child's obsessing by putting a boundary on how many questions a child can present. The "I Did It List" focuses on encouraging the child to make a list of times when they have accomplished something big, so they can build confidence. Other tools utilize positive reinforcement, role-playing, reverse psychology, providing structure and routine, employing the child's help to solve a similar anxiety in another hypothetical child, and expending physical and emotional energy so there is less available to plow into anxieties.
One of the tools I will use on myself in the future, is the concept of a "brain plate." Kids are encouraged to see their brain as a plate. Imagining a plate in front of them, they are asked to place all the meals for the whole week on their plate and then asked what would happen if they tried to eat all of those meals in one sitting. They obviously can understand that they would get sick and you can then shift gears to explain that, in a similar way, the brain cannot handle all of life's future anxieties in one dose. This encourages an individual to bite off only today's troubles, instead of being overwhelmed with troubles from the future. I loved the George MacDonald quote the author used, "No one ever sank under the burden of the day. It is when tomorrow's burden is added to the burden of today that the weight is more than one can bear."
If you are troubled by a child who is experiencing inordinate anxieties over possible life scenarios, this book certainly provides a healthy discussion of the topic, along with strategies for approaching this dilemma. No parent wants to watch their child immobilized by fears and anxiety. While providing a listening ear is helpful and offering up prayers encourages their faith, having a few tools at your disposal for approaching anxiety can only benefit the parent of an anxious child.
In Why Smart Kids Worry: And What Parents Can Do to Help, licensed professional counselor Allison Edwards guides parents through the issues of anxiety in children. The first half of the book is devoted to exploring why smart kids tend to worry. Gifted children often have a higher intellectual processing ability, and therefore tease out possibilities to a further extent than other children. While an average kid might realize that some people die, a gifted child can take that thought to the next level and realize that he/she might be one of them. The second part of the book focuses on tools a parent can use to help alleviate or diminish some of those feelings of anxiety. I felt the tools were the most valuable part of the book and therefore, if you have a child experiencing anxiety but lack time to devote to the whole of this book, you could really skim the first section and focus your attention primarily on the tools at the end of the book.
I can appreciate the author's warning that our children are presented with more information than ever before. I lived a fairly shielded life. I don't remember my parents discussing awful things going on in the world. I don't remember watching the news with them or hearing about epidemics or diseases or warfare. Yet, I know that I was a child filled with anxiety. My own life experiences had caused me to fear shots and medical situations and to be aware that children sometimes die of cancer (my childhood friend died of cancer). However, when I think about my own children, it is clear that efforts to shield them will be far more difficult to manage. They simply have access to far more information than I ever did.
For example, I made a point of telling my husband not to mention the Ebola situation to our boys and yet, not a day later, my middle son came to me to ask what Ebola was because he saw it mentioned on a vine he had watched. I know there are some parents who simply don't allow their children to have access to computers without their constant supervision (how do they manage that?), but inevitably the subject is viewed by other kids and brought up on the school playground. So, even if I restricted my son from watching vines, he would probably still come across information which could prompt great anxiety.
I believe, as a parent, my goal is not to shield my child from every possible ill or anxiety, but more to teach them to monitor their own use and manage their own emotional needs. Thus, I was quite interested to note several of the more promising tools suggested in the final portion of the book. These are tools which would not only assist children with anxieties, but also parents who experience anxiety (thus, they are things I will attempt to employ in my own life).
Here are some of the more helpful tools mentioned: "Square-breathing." You encourage the child to visualize the four sides of a square and using this image, then breathe in for four counts, hold for four counts, breathe out for four counts, and rest for four counts. "Worry time" emphasizes the need to schedule a particular, limited time for focusing on worries. "Changing the channel" simply encourages you to switch gears so the child can move on to something different with the promise of returning to the worry at a more conducive time. "The five question rule" limits the child's obsessing by putting a boundary on how many questions a child can present. The "I Did It List" focuses on encouraging the child to make a list of times when they have accomplished something big, so they can build confidence. Other tools utilize positive reinforcement, role-playing, reverse psychology, providing structure and routine, employing the child's help to solve a similar anxiety in another hypothetical child, and expending physical and emotional energy so there is less available to plow into anxieties.
One of the tools I will use on myself in the future, is the concept of a "brain plate." Kids are encouraged to see their brain as a plate. Imagining a plate in front of them, they are asked to place all the meals for the whole week on their plate and then asked what would happen if they tried to eat all of those meals in one sitting. They obviously can understand that they would get sick and you can then shift gears to explain that, in a similar way, the brain cannot handle all of life's future anxieties in one dose. This encourages an individual to bite off only today's troubles, instead of being overwhelmed with troubles from the future. I loved the George MacDonald quote the author used, "No one ever sank under the burden of the day. It is when tomorrow's burden is added to the burden of today that the weight is more than one can bear."
If you are troubled by a child who is experiencing inordinate anxieties over possible life scenarios, this book certainly provides a healthy discussion of the topic, along with strategies for approaching this dilemma. No parent wants to watch their child immobilized by fears and anxiety. While providing a listening ear is helpful and offering up prayers encourages their faith, having a few tools at your disposal for approaching anxiety can only benefit the parent of an anxious child.
Monday, October 27, 2014
Nanowrimo Approaches
It's that time of year again. The time when I settle down all my writing energies and focus on churning out another book. I've done it five times before and have been fairly satisfied with my results. This year, however, I'm approaching it with the most trepidation I've felt yet. There are many reasons for my hesitation and angst.
To begin with, I have no idea what to focus on this time around. Since I'm struggling with finding an interested market for my Christian young adult fiction, I believe I should shift my focus to something else. Women's fiction is probably the best bet for a wider market, in terms of finding an agent and getting the manuscript read. But, I haven't come up with an idea for a story or a character to launch a story. Nata. Zilch. Nothing! Even though I've been in that position before, late in October, on the verge of the writing month, it is still an unsettling place to be.
Then there's another option. I have been toying with working on a memoir. The only problem with this is that the memoir, while primarily about me and the struggles I have faced in a particular area of life, necessarily involves other people. By nature of being on the periphery of my life, they fall into the story and I'm not sure how to handle that. No doubt they would like their lives to remain private, even if I am willing to bare my soul about an important, complex life issue. Plus, while it would be great writing practice, part of me thinks that such an endeavor would end up merely being a therapeutic venture with little prospect of future publication.
I actually started another young adult novel outside of the Nanowrimo month, but I don't think I have enough skill to pull off the story. It is a thriller based on a contemporary what-if question. Even if I think it holds merit and would not necessarily end up being in the narrow "Christian" market, it feels too difficult to pull off. I don't think I have what it takes to make the story well-rounded and consistently gripping.
In searching for an agent to pitch, I have come across loads of specific information about what agents are eager to see. None of what I write tends to appeal to those dramatic interests. I don't write paranormal. I don't write dystopian. My books seem too lame for the present market. Aren't there young adults out there looking for morally wholesome literature with a good story line and interesting characters? Apparently not. Apparently, they all want some new futuristic, gimmicky plot-line. Thus, I'm feeling down about my writing and that is never a good state to be in before launching into writing another book.
Moreover, I'm feeling the added external pressure of my husband's desire for me to abandon this dream. He doesn't word it like that, of course. But, he has said that "if this next book doesn't find an interested reader, perhaps it is time to look for a job and help out financially." Obviously, I'm aware that my writing hasn't panned out to a single cent of remuneration. I'm not really interested in the financial aspect. But, with his desire for me to give up, it makes it harder for my own sentiments to remain steadfast.
Finally, we're throwing another wrench into the mix because we've decided (me grudgingly) to go ahead and get the boys another dog (this time much smaller than our last dog). I don't know how much this will factor into the equation. Will my attention be diverted? Will I have to be responsible for the lion's share of training and acclimating our new pet? Who knows? It is something I definitely don't feel equipped for and something I certainly don't relish experiencing. Maybe I should write a novel about a woman who dreads getting a dog but desperately believes that every boy should experience the benefit of growing up with a dog. Ha!
What sort of book are you interested in finding or reading? Do you have any bones you could throw me to trigger an idea for a story? Do you have any advice for a new, reluctant pet owner? Any and all feedback would be appreciated.
To begin with, I have no idea what to focus on this time around. Since I'm struggling with finding an interested market for my Christian young adult fiction, I believe I should shift my focus to something else. Women's fiction is probably the best bet for a wider market, in terms of finding an agent and getting the manuscript read. But, I haven't come up with an idea for a story or a character to launch a story. Nata. Zilch. Nothing! Even though I've been in that position before, late in October, on the verge of the writing month, it is still an unsettling place to be.
Then there's another option. I have been toying with working on a memoir. The only problem with this is that the memoir, while primarily about me and the struggles I have faced in a particular area of life, necessarily involves other people. By nature of being on the periphery of my life, they fall into the story and I'm not sure how to handle that. No doubt they would like their lives to remain private, even if I am willing to bare my soul about an important, complex life issue. Plus, while it would be great writing practice, part of me thinks that such an endeavor would end up merely being a therapeutic venture with little prospect of future publication.
I actually started another young adult novel outside of the Nanowrimo month, but I don't think I have enough skill to pull off the story. It is a thriller based on a contemporary what-if question. Even if I think it holds merit and would not necessarily end up being in the narrow "Christian" market, it feels too difficult to pull off. I don't think I have what it takes to make the story well-rounded and consistently gripping.
In searching for an agent to pitch, I have come across loads of specific information about what agents are eager to see. None of what I write tends to appeal to those dramatic interests. I don't write paranormal. I don't write dystopian. My books seem too lame for the present market. Aren't there young adults out there looking for morally wholesome literature with a good story line and interesting characters? Apparently not. Apparently, they all want some new futuristic, gimmicky plot-line. Thus, I'm feeling down about my writing and that is never a good state to be in before launching into writing another book.
Moreover, I'm feeling the added external pressure of my husband's desire for me to abandon this dream. He doesn't word it like that, of course. But, he has said that "if this next book doesn't find an interested reader, perhaps it is time to look for a job and help out financially." Obviously, I'm aware that my writing hasn't panned out to a single cent of remuneration. I'm not really interested in the financial aspect. But, with his desire for me to give up, it makes it harder for my own sentiments to remain steadfast.
Finally, we're throwing another wrench into the mix because we've decided (me grudgingly) to go ahead and get the boys another dog (this time much smaller than our last dog). I don't know how much this will factor into the equation. Will my attention be diverted? Will I have to be responsible for the lion's share of training and acclimating our new pet? Who knows? It is something I definitely don't feel equipped for and something I certainly don't relish experiencing. Maybe I should write a novel about a woman who dreads getting a dog but desperately believes that every boy should experience the benefit of growing up with a dog. Ha!
What sort of book are you interested in finding or reading? Do you have any bones you could throw me to trigger an idea for a story? Do you have any advice for a new, reluctant pet owner? Any and all feedback would be appreciated.
Subscribe to:
Posts (Atom)





