Showing posts with label writing. Show all posts
Showing posts with label writing. Show all posts

Monday, January 12, 2026

Book Review: Once Again to Zelda

I can't remember where I heard of this book, but I was curious enough to request it from interlibrary loan. Once Again to Zelda, by Marlene Wagman-Geller, is a collection of stories about interesting book dedications. Wagman-Geller considers herself a dedication detective. Each story reveals deep research. Although I skipped a few chapters (just not interested in those authors or dedications), on the whole it was a very compelling book.

I was unaware of the dedication Charlotte Bronte gave to Jane Eyre, or how much chaos and speculation it stirred. Many of the stories I knew peripherally (Lewis Carroll, Dostoevsky, Frank Baum, and Stephen King). Many of the stories fleshed out more details and extended the stories deeper than I knew. For example, I knew Sylvia Plath's depression led to suicide. I was shocked to learn the woman who had the affair with Sylvia's husband also committed suicide in the same manner. Some stories were entirely new. 

So many of these authors endured great obstacles and tragedies. Laura Hillenbrand suffered a lengthy illness. Several lost beloved parents, spouses, and children.  Indeed, it was J. K. Rowling's loss of her mother that led her to include the Mirror of Erised in one of the installments of Harry Potter's story. I hadn't realized she didn't invite her father to her wedding because she was "upset with him for  moving in and marring his secretary right after [her mother's] death." It seems to write great literature, one must endure great upheaval and extreme challenges. In light of that, perhaps I don't want to write great literature. Ha!

  

Monday, January 5, 2026

2025 Recap


My writing friend, Amy Weinland Daughters, posted this hilarious spoof on the goals we set and the ones we actually achieve. I acknowledge my recap post will be somewhat like this. It won't really interest my readers (no offense if you skip it). I'm primarily writing it for personal reflection on my year's goals. 

Hoping to be intentional in 2025, I started a progress file where I tracked various things daily. I kept stats on my exercise, purging, letter-writing, fasting, and (towards the end) writing for publication. Although this was very helpful in many ways, I still failed to be as productive as I would have liked. You can set the goal. You can track the progress. But, you still have to put in the work to have something to write down. Ha! Sadly, I'm not the most disciplined person.

Exercise: I do believe tracking helps me stay committed to exercise. I'm not a huge walker. Many people put in 10,000 steps a day. I'm far too sendentary, but don't see that changing any time soon. Still, I try to get my treadmill time (or outdoor walks) in every morning. I exercised on 90% of the days (327/365) this year. My mileage declined when I got a new and more narrow treadmill. It declined further after I fell on that treadmill. Still, I walked over 400 miles and averaged 1.25 miles. As I threw out my 2024-2025 planner, I noted that in 2024 I consistently walked 295 out of 366 days (81% of days) for 472-1/3 miles (ave. 1.6 miles). Of course, that was when I was trying to lose weight for my son's wedding.

Purging: I'm a hoarder. I've always admitted this freely. However, I really had hoped to be more successful in my purging efforts. There are so many negative emotions associated with purging. While I enjoyed going through the minutia of past letters and school files, the actual process of getting rid of many items was draining. My year-end total was 102-2/3 hours. I only worked on purging for 51% [186/365] days. On those days, I averaged 33 minutes/day. It is better than nothing, but still feels like diddly-squat. Now that my husband has reduced the estimated time we have left living in this home, I'm wishing I had been far more diligent. May was a total wash, as was December. February was my most productive month (24 hours of purging in 25/28 days).

Fasting: My goal was to fast every Monday in 2025. I only missed the Monday of the spring break trip and the Monday of our 35th anniversary, but I made up for those dates by fasting on another day in those weeks. At the beginning, I started slowly with partial days (fasting until 2 p.m., then 4 p.m., then 6 p.m., then 8 p.m.). But in February, I aimed for mostly full days. By the end of the year, I had fasted 54 days (21 partial days and 33 full days). 

I am not well-suited for fasting. It was difficult in the usual ways, but was also difficult emotionally. It seemed like the full day fasts left me overwhelmed with despair rather than trust. As I poured out my groanings over difficult situations in our family/friends' lives, the focus on the darkness of our tunnel drowned out the consolation of the light God offers. I think, in my clinical depression, I struggle with staying positive and observing the light more than the darkness. I'm a glass half-empty kinda gal. 

Struggles with our prodigal, family tensions, the loss of my mother and subsequent new love my father is fixated on, health questions, the state of our world... it gets to be too much. I think I would have done far better if I had spent my fasting time in singing scriptural promises rather than outlining the various weights and burdens we carry. If I had it to do over again (and I'm not planning on this rigorous fasting in 2026), I would have taken more of the approach I used with my 2023 prayer project. I would incorporate scripture, pray for requests but also praise for answers, and spend more time focused on God's enduring attributes than on the encompassing obstacles before us.  

Writing: I'm not sure I kept accurate records for correspondence. I mostly charted letters sent by snail mail or from my personal email. By not recording letters sent from my author email, I know these stats are incomplete. In all, I mailed 21 letters or packages (sometimes with my book), and sent 51 personal emails.

The biggest victory was resuming writing projects after a stroke of luck with my first goal in September of just putting in 20 minutes finding markets. I wrote and submitted 2 pieces in September (1 of those was published in a digital magazine). I spent 12 hours writing on 13/30 days in that month. In October, I worked on writing research for 100 minutes. I worked on 2 separate projects on 15/31 days for a total of 11.5 hours (8786 words). In November, I spent an hour on writing research. I participated in the Rabbit Room's Poem-a-Day challenge, completing 20 poems from the 30 prompts. Plus, I started a non-fiction book project, working on 22/30 days for a total of 23-1/3 hours (24,867 words). This was nowhere close to the 50 thousand-plus words of Novembers past, but still an accomplishment. Then, as soon as Thanksgiving hit, I petered out to 1 writing day and 1 day reviewing the non-fiction work to date.

I set out to fast and pray, and to purge hoarded belongings. I suppose I met those goals, but wish I had done far better. If only I had known, at the outset of the year, that my husband hopes to move by fall of 2026. Yikes!

For the coming year, I'm not setting hard and fast goals (quantitative goals). At the end of 2025, I read an outstanding essay on Substack by Suleika Jaouad, called "Against Resolutions." The author argues that rituals are more effective than resolutions. "Where resolutions chase outcomes, rituals attend to process." Resolutions lead to all-or-nothing thinking. Michael Bierut said it is like walking a tightrope, where peril increases with each step, until you become convinced you'll never make it across. 

The author ends with this observation, "That's what ritual gives me now. Not a guarantee, not an outcome, not a transformation on a deadline, but a means of staying in motion without hardening, to keep my balance without gripping so tightly... no grand reinvention here--only the patient work of showing up, again and again, nudging myself millimeter by millimeter toward the person I'm becoming."

While I think I've already been focused on ritual, this year I am leaning into 3 words (not an annual word, but a word progression):

WATCH 🠊 WITNESS 🠊 SPREAD

WATCH, as in the sense of expectant anticipation. I want to watch for the return of Christ. I want to watch for God's intervention in our lives (and especially in the life of my prodigal son).

"The end of all things is at hand; be ye therefore sober, and watch unto prayer." - 1 Peter 4:7

"Therefore let us not sleep, as others; but let us watch and be sober." - 1 Thessalonians 5:6

"Continue in prayer, and watch in the same with thanksgiving." - Colossians 4:2

"Watch ye therefore, and pray always, that ye may be accounted worthy to escape all these things that shall come to pass, and to stand before the Son of man." - Luke 21:36

WITNESS, as in what you see when you watch. I want to witness God's moving and transforming power.

"Fear ye not, stand still, and see the salvation of the Lord, which he will shew to you today." - Exodus 14:13

WITNESS, as in give a testimony of the gospel's power transforming my life. I want to seize more opportunities (whatever He gives) to share my faith.

"Shew how great things God hath done unto thee." - Luke 8:39

"And with great power gave the apostles witness of the resurrection of the Lord Jesus: and great grace was upon them all." - Acts 4:33

"And they overcame him by the blood of the Lamb, and by the word of their testimony; and they loved not their lives unto the death." - Revelation 12:11

SPREAD, as in disseminate God's Word into the world. I started this year's devotions adding a book by Cheryl Ford, called Triumphs of the Heart: The Pursuit of Joyful Living. In one of the first sections, she considers the watchful heart of Anna in the Bible. From this chapter, I found my verse for 2026:

"But thanks be to God, who always leads us in triumphal procession in Christ and through us spreads everywhere the fragrance of the knowledge of him." - 2 Corinthians 2:14



Monday, December 15, 2025

Mid-month Mention: Substack Fare


Since Just Between Us published my article, "When the Journey Becomes the Gift," on their Substack-based site, I have been frequenting Substack more than usual. It appears this is where all the creatives hang out. Although I don't like to be out of the loop, I'm not technologically savvy, so I feel mystified by some of what goes on. I gather writers post notes and articles and some people access this on a free basis, while others pay the writer to subscribe for more content. Personally, I cannot afford to subscribe to every writer I wish to read (thus, my great love of the library). 

I get it! As a writer, I want people to find my words. My main struggle has always been with that drive that seems imperative for writers, to establish "platform." Oh, how I hate that word. To me, it is like waving a flag that says, "Look at me! Look at me! Look at what I can do" (to quote a Saturday Night Live sketch with the obnoxious child who is always drawing attention to himself). When I put the Substack app on my phone, it began to offer up categories I might wish to explore. Through that, I have indeed found writers I enjoy.

I think I entered Substack Land originally to access the poetry of Randy Edwards, writings of Jeanine Joyner, and The Rabbit Room. Now, I have signed on for some Spurgeon. Spurgeon, in turn, recommended a new page with Advent content from one of my favorite prayer writers, J. C. Ryle (author of the outstanding pamphlet, Do You Pray?). This new Substack with J. C. Ryle content can be found here.

What blew me away, earlier this month, was finding a writer who understands and articulates the discomfort I feel with the marketing side of writing. Grant Herbel's Substack, called "The Writer's Calling," is another recommended site that I am so grateful to have found. He posted a two-part article on "How Christian Writers Can Use Substack Notes." In the first segment, he expressed my internal thoughts on how icky marketing makes me feel. 

He writes, "On the one hand, we feel the pressure of the internet age: the demand to be loud, to be everywhere, to build a platform, to 'stop the scroll.' Honestly, it feels exhausting. It often feels like the opposite of the quiet work we are called to do. On the other hand, we carry a fire.... You have been given a message that could help someone. And lighting a lamp just to hide it under a bowl doesn't feel right, either.... The answer lies in shifting our perspective from promotion to stewardship.... When we view visibility as stewardship--as faithfully carrying the bread to the hungry--all of that changes. We stop trying to be 'famous' and start trying to be findable."

His words articulate the internal struggle I have battled. His advice rings true. I hope to glean encouragement from his writing, so that my writing doesn't remain hidden under a bushel. I want to shine whatever light God has placed within me into a dying world, desperate for His light, and witness to His transforming power.

Of course, I don't even fully understand how all of this works, but am eager to learn. I really wanted to pay for a full subscription to Herbel's writing, but with lots of money going out for our prodigal and his needs, I will hold off on that for now. Still, I wanted to provide a link for my readers. If you follow this link to The Writer's Calling, I will receive a free month subscription for every 3 individuals who subscribe (paid or free). Win for you! Win for me! 

After so many months without writing, I am back to caring about where my words (the words God plants in me to bloom for others) land and grow. I am back to praying about my calling to write. If you are a regular reader, you know that I dedicated 2025 to fasting and prayer for my prodigal and other needs of friends and family. It has been rough going. Often, the extra time spent focused on the many impossibilities we face stirs exhaustion and defeat. Throwing a spotlight on the challenge, in spite of full belief that God's got this, tends to make me introspective and low.

This morning, I found a small note on Substack from Chloe Elizabeth. It is a Corrie ten Boom quote. She writes, "If you look at the world, you'll be distressed. If you look within, you'll be depressed. If you look at Christ, you'll be at rest." Words to live by, indeed! And a fine example of how these notes/words on Substack provide something of value to the reader.

Tuesday, November 25, 2025

Gratitude Article


Photo by Ranurte on Unsplash

After struggling for well over a year in a liminal space, unable to work on specific writing projects, I am happily back to writing. Today, my gratitude article, "When the Journey Becomes the Gift," airs in the Just Between Us Magazine on Substack. You can find it here.

Click here to learn about ways to subscribe to Just Between Us. This magazine, founded by Jill Briscoe, provides encouragement for Christian women. It reaches women in more than 150 countries. Here's a blurb from the Encourager's Corner in October:

"It still takes my breath away--how he weaves His voice through each week's collection of stories. Different writers, different seasons, different struggles--and yet, always the same thread of grace running through it all. I think of the woman who told us she read a story about forgiveness and finally picked up the phone to call her sister after years of silence. Or the mom who said she opened a devotion in the middle of her burnout and felt like the words were written just for her. Or the reader across the world who said JBU had become "her church home" when she felt completely alone."

What difficult journey did God gift to you?  

Thursday, October 2, 2025

Book Review: Quiet Places

Years ago, I purchased two personal retreat books at the Write-to-Publish Conference. Jane Rubietta, a long-time staff member, writes about relinquishing our busyness to pursue God's heart and purpose. I selected these two books as my next supplemental reading during my morning devotions. In thinking about personal retreats, I realize I haven't taken a personal retreat since all the chaos descended with my son's wayward path. I used to take a writing retreat every November to help me meet my National Novel Writing Month (NaNoWriMo) goal. In 2019, I had to cancel my retreat because my son had run away from home. I didn't know if he would be back or if I would be in any condition to focus on a retreat.

I started chronologically, with the first one published, Quiet Places: A Woman's Guide to Personal Retreat. Jane's chapters focus on frantic activity, self-confidence, loss, unforgiveness, stress, friendship, and dreams. She offers encouragement, along with loads of practical activities, to focus the life lessons. Each chapter ends with quotes for contemplation and scriptures for meditation. Then, she offers ideas for journaling, praying, activity, and silent contemplation, followed by questions for reflection. While I didn't take time to interact in those ways, I will keep the book and may come back to it at some later date. I wanted to share passages with my sister, who has recently moved to a new location/job and is feeling all the stress and learning curves such changes bring. Unfortunately, she's so busy (thus her great need), she probably wouldn't have time to consider the passages Jane offers on dealing with stress. Who knows, maybe I'll send the book to her in hopes she can carve out some moments each day to consider Jane's insights on slowing down and savoring the life and purpose God has given.

Monday, March 10, 2025

Book Review: Letters from the Mountain - Highly Recommend

Bob Hostetler is not only the author of one of my favorite devotionals, The Shakespeare Devotional, but he also lures me into other books through his twenty-word book review blog. Some recommendations sit in my "Books to Read" file for a while. Bob recommended Ben Palpant's Letters from the Mountain three years ago. Books often meet us right where we need them. That is true of this book. It was like a salve on my wounded soul.

In these letters, Palpant writes to his daughter about the generative act of writing. The very nature of this gift blows me away! The letters are full of wisdom and encouragement. They express his deep love for writing, for God, and for his daughter. Since he is a poet, his words dance and sing. As I listened from my library Hoopla app, I grew desperate to hold the book in hand and underline and highlight. I heard so many nuggets of truth; I want to own this book.

Writers should aim for the soul with patient urgency and keen attentiveness, seeing what others cannot see. He calls the writer to cultivate the soil of the imagination. Foremost, a writer must serve the reader and let it go out into the world. He writes, "Work! Leave the prosperity to God!" We should remember our writing brings God's light. The light is important, not the lantern.

I loved his illustration about God's timing. He tells a story of their visit to Oxford, where he hoped to find C. S. Lewis' cottage and gravestone. The day was fraught with complications and obstacles. His wife was ill. They needed to find an elusive clinic. He even prayed for rain to help him gain his desired ends. Instead, the sun beat down, stoking his frustration. In the end, God revealed perfect timing.

I loved his insight about valuing the "day job," because it provides a wealth of soil for cultivation in the imagination. It "equips you to serve." Also, I needed his words about gratitude. It adjusts your vision to focus on abundance rather than scarcity. Instead of keeping your eyes riveted on your empty left hand, recognize your right hand is overflowing with God's blessings. Oh, how my eyes linger on scarcity! He writes, "Worry reigns when we try to fix what only God can fix and know what only He can know."

The book is full of beautiful images of what it means to write for the Lord. He shares architectural principles that can apply to writing. He gives numbered lists of actions to employ. (As usual, walking makes the list!) He says that, as Christian writers, we are viaducts bringing living water and lanterns shining His light in a dark world. Our words can be life-giving if we will give them and leave the results to God. Those words, so often, come from places of deep pain.

Palpant points out, we should not fear suffering. It is often the soil that grows beautiful and true writing. His words remind me how important it is to nurture our gifts. This book has beckoned me back into the arena to pick up my weapons again. I have shared before that I have been in a spell of relative inactivity. Finding my son mid-overdose and walking through the subsequent descent into deeper addiction has somehow numbed my pen. I can pour out personal writing and have kept my book review blog going, but projects require more than I can give. For quite some time, I have been in a liminal space. That is okay. If God so desires, I will catch the spark again. Certainly, this book is full of embers waiting to re-ignite my dampened calling.

Thursday, August 1, 2024

Book Review: The Divine Proverb of Streusel

With Sara Brunsvold's author talk looming, I had only a few days to tackle her second novel, The Divine Proverb of Streusel. Not a problem! I sped through. I enjoyed this one even more than her first novel. Perhaps it was the personal connections I felt. 

I love to say, "I was born in the state of misery." It gives me a good chuckle and others an eye roll. This book takes place in Missouri and the main character explores her German heritage. My maternal grandmother came from Germany to the United States as a child. She lived and raised my mother in Milwaukee, Wisconsin. 

Much like the character in the book, I didn't have an extensive relationship with my grandmother. We saw her once or twice a year. Those visits were brief. I don't remember my grandmother speaking German, although my mother dabbled in it a bit. She'd say things like "Ach, du lieber ganzen" (oh, you lovely goose!) or she'd sing "Mein hut er hat drei ecken" (My hat, it has 3 corners). Here's a 20 second video of the song. I spoke of this in my book review for another intergenerational German tale, Send for Me.

I don't remember my grandmother's cooking. But I do remember asking my mother for her family recipe for banana pancakes. She explained that when she got married, her mother gave her a file box full of recipes (did she cook side-by-side with my mother to teach her the steps? I don't know). Grandma included 5 typewritten sheets listing the recipes in alphabetical order with the code numbers that appeared in the top right corner of each 3x5 card. The banana pancake recipe card was A12. 

My mother warned that the batter is thin, which is what makes them light and fluffy. Horrible cook that I am, I failed at it miserably. Perhaps, like the character in Brunsvold's book, I struggled because it was a recipe without specific steps or explanations. I wrote to my mom because the recipe was confusing, calling for two separate installments of milk:

"1 egg, 1/2 C milk, 1-1/4 C flour, 1 C milk, dash salt, 3-4 bananas, Is that correct? Do you mix the first three ingredients and then seriously add even more milk? I'm guessing this would be like frying up something with the consistency of orange juice! Let me know if there's another secret ingredient I failed to transcribe."

My mom contacted her sister and my Uncle Dave wrote to explain the steps:

"The recipe is correct. To clarify, the egg and 1/2 cup milk should be mixed together before the flour is added. Then add the next cup of milk. After the bananas are added the mix will be very THIN. Make sure the lard and butter are very hot and be careful not to splatter the oil on your hands. I am going to try and scan the “original” recipe from your mother’s cook book. Dave"

I wrote back to my mother to explain my dilemma. This will give a bird's-eye view of my ineptitude in the kitchen: 

"Well, I tried the banana pancake recipe from your files, and I must be doing something wrong. Here's exactly what happened. I mixed the batter as suggested, mixing first the egg and smaller amount of milk together, then adding the flour, then the larger amount of milk and mixing again before adding the 3 large mashed bananas. The batter seemed thinner than my regular pancake batter, but I figured so far, so good. I have a small cast iron griddle and I thought that might produce a better pancake, so I tried that first. The pancake turned out somewhat close to what yours tasted like, but the middle wasn't cooked enough (please God, don't let me get salmonella from undercooked banana pancakes). Besides the undercooked middle, it didn't want to come off the cast iron pan in the middle. I set the pan on the counter to scoop off the pancake and when I picked up the griddle, it left behind a murky stain which turned out to be resistant to wiping with a dish rag - groan. I decided I'd better stop using it, not knowing what kind of damage I might be doing to my burners, counters, etc. So, I heated my normal small frying pan. The next one seemed to cook on the outside edges but never produce the air bubbles normally associated with a pancake ready to turn. Thus, I burned the next two, trying to get the middles done enough. Finally, I thought perhaps I should turn the stove down. This provided a slower, more even process. Although I am no longer burning them, they still don't appear to look like yours and certainly don't taste as good as yours. I don't know. Then, I looked up German banana pancakes on the internet and they are showing something otherwise known as a Dutch baby, but it is made in the oven. I don't think yours were made in the oven, were they? Well, my best effort still falls short of the mark. Oh well. I tried anyway."

My mom tried to clarify her experience with the recipe:

"I have never mashed the bananas and then added them to the mix. I have only sliced the bananas directly into the mix. Don't know if that will make a difference for you. Let me know."

I never attempted to duplicate my mother's banana pancakes again. Thus, I related to Nikki Werner's attempts at the family recipes. I enjoyed all the recipes in Brunsvold's book, but doubt I will try more than a few (after reading the above, you might understand my hesitancy). I intend to try the recipes for Hoppel Poppel (Egg Hash, p 75), Frikadellen (German hamburgers, p 108), Kohl aus Eddner (Scalloped Cabbage, p. 173), Kartoffelpuffer (Potato Pancakes) with Apfelmus (Applesauce, p 196), and Kartoffelgratin (Scalloped Potatoes, p 243).  

I noted a line from Grandma Lena's notebook of recipes: "Sometimes the hardest thing in the world to do is to keep trying to do something for which natural talents are lacking." Ha! Too true!

Enough about why this read resonated with me! So, back to the book. Nikki Werner is disillusioned with life and love after her parents' divorce and her dad's remarriage. With her boyfriend leaning in hard, she flees her home in Kansas City and heads to her Uncle Wes' farmstead, the home where her dad was raised. Eddner, a town her father left behind early in life, is near Hannibal (a town I lived in for a spell). Nikki finds her grandmother's German books and a notebook full of German recipes. As she helps her uncle restore the family home, she attempts the recipes and shares them with the Lutheran community there. Amid discovering her German heritage, Nikki grapples with reconciliation with both her boyfriend and her father.

My mother's mind, even before her death, was no longer accessible, but I have loads of questions I wish I had asked. Did her mother experience the effects of the world wars? Did they, like other German U.S. citizens, try to distance themselves from their heritage? Did they change to more Anglicized names and drop the use of German language and recipes? What a shame that, because of a nation's misguided actions, a whole worldview lost its freedom to exist and be celebrated! 

This book is a treasure! How comforting to delve into a heritage I share and a faith I espouse! I loved the emphasis on "doing the next thing." I have heard Elizabeth Elliot share from something similar to the poem by Minnie Paull listed in the addendum to this book (although the internet attributes this to an old poem by Eleanor Amerman Sutphen in 1897). Would that I might implement that wisdom in my own life. When I do not know what to do, I can "do the next thing!" 

I wish I had purchased a copy and requested the author's signature on the night of the author talk. My copy came from a nearby library. I wanted to finish her debut novel (The Extraordinary Deaths of Mrs. Kip) first, so I didn't complete The Divine Proverb of Streusel until late on Sunday night. Once I finished, I knew I wanted to own it (not only for the story but also for the recipes and the beautiful sentiments expressed prior to each recipe). Sadly, no copies were available in stores nearby on Monday, prior to the author talk. I'm also kicking myself because the signing line was long, and not having a book to sign, I simply left without snagging a chance to meet the author. Who knows, perhaps she had copies to sell. I appreciated her talk and admire her firm foundation of faith. Moreover, I share her intense desire that writing be a form of worship, a gift given back to the Lord for His purposes and to reach whomever He desires. May it be so in my writing, as well!

Thursday, July 4, 2024

Book Review: Origins of a Story

What a fun little book exploring the idea of story germs that led various authors! In Origins of a Story, Jake Grogan compiles 202 stories of inspiration for some truly great works of literature. Of course, the explanations behind books I knew (having read or watched 77) were more interesting than unfamiliar ones. Still, I came away with appreciation for the various ways writers encounter a creative impetus, as well as more titles on my to-be-read list. Some stories were familiar (the advice given to Dickens to change the ending of Great Expectations or the Reys' transportation and transformation of Curious George). All were interesting.

I identified with many of the vignettes listed in this book. Although I have only published one book, I have written ten complete and two partial manuscripts. For one, a title popped into my head, just like Madeleine L'Engle's eureka moment with the names of her characters. (I found it intriguing that L'Engle wrote A Wrinkle in Time one year after she had "sworn off writing for good, citing her inability to earn a living as a forty-year-old woman despite all the of the time and effort that she put in." And she still persevered because that manuscript received 25 rejections before finding a publisher.) For me, one what-if premise sprang from a difficulty a relative was facing. My middle-grade novel grew from my experience as a pre-teen and one of my YA novels came from finding a stray bone during a walk with my husband. Everything I have written has an autobiographical element. Yet, one action some of these authors took was foreign to me. Several authors threw out manuscripts and rewrote them again from scratch, something I have never done.

So many of these brief stories were fascinating. In the section discussing Ordinary People (one I've heard of but neither read nor seen), the author explains her desire to write about the difficulty one has when experiencing the fluctuations of depression. Although I don't relish reading about suicide, the book sounds more intriguing after reading the impetus that motivated the author. In outlining Stephen King's story germ for Misery, it made me want to read Evelyn Waugh's short story, "The Man Who Loved Dickens." Holes grew from the anguish of yard work in the summer in Texas. (Perhaps I should tell Bryce to avoid this, ha!) In discussing Jane Eyre (a book I was listening to while reading Grogan's book), I learned that Charlotte Bronte's two younger sisters died of tuberculosis, just like a character in the book, something I didn't know. I wasn't aware that S. E. Hinton wrote The Outsiders when she was 15-years-old. All in all, this was quite an interesting read, especially so for a writer.

Thursday, June 6, 2024

Book Review: Hooked

It has been a year since I've worked on a writing project. This activity that informed my identity for so long is now inaccessible. Despite distance and therapy, the trauma of finding my son mid-opioid overdose last June and the ongoing struggles we face with him have sucked my writing dry. I've made a few attempts, but the motivation and spark have vanished. The only image I can use to illustrate where I'm at is a PBS documentary I once watched called Victorian Slum House. In it, modern day families shed their current conveniences and schedules to live in a mock Victorian community. This is the level of hardship I face when I contemplate working on a piece of writing or a new project. It is like asking me to leave behind all the amenities I'm used to for a hard-scrabble lifestyle. Writing is just too arduous!

The other day, I thought, "Well, if I cannot rouse myself to work on something new, maybe I should polish something old." So, I brought up the middle grade novel which holds the most promise. Formatting it into the proper manuscript form for submission might be a worthy project. I hoped to rekindle the dying embers of my writing passion, submerged from trauma and tension. Alas, this depressed me all the more.

My old writer's group helped polish the first paragraph several years ago. I had offered three different opening paragraphs and welcomed their insights and votes. Yet, when I opened the file now, I realized even the best of those three attempts was pure rubbish! Garbage! I set the paragraph aside as if it might explode in my hands if held too long.

Instead, I picked up a book on my personal shelf called Hooked: Write Fiction That Grabs Readers at Page One and Never Lets Them Go, by Les Edgerton. The book made my task feel even more daunting. It focuses on inciting incidents, initial surface problems, and story worthy problems. It encourages you to consider anew where your story should begin. The book provides so many excellent examples. Indeed, when Edgerton dissected the story elements and beginning finesse in a few movies, I sought those movies and watched with a writer's eye. Now, I had more aspects to digest. My opening was truly boring; it needed a complete overhaul. 

Somehow I wrote an opening that is better. I may still work it up more, but it is sound enough to escape the excuse against starting the manuscript re-write. Before I begin, however, I may seek even more instruction. I plan to re-read another one on my shelf, The First Five Pages. If I'm going to get back into writing by the back door of editing old manuscripts, I might as well make the first five pages count. Besides, my mojo for reading hasn't failed me like the writing energy has!

Monday, April 8, 2024

Book Review: If You Want to Write

Brenda Ueland's If You Want to Write is an encouraging pep talk, and one I needed. I loved many things about this book. Primarily, I loved her explanation that criticism kills creativity. When a writer presents a work to another for feedback, that individual can spur the writer on or defeat their soul. Heavy-handed criticism, voiced to "help improve the writing," shrinks the heart of the writer, causing them to second-guess their abilities instead of freeing those abilities to flow. 

Ueland, as a writing instructor, points out the noteworthy sentences and fragments and draws the writer out into the open instead of shutting them down. It reminded me of wise words I heard when I worked with an outstanding 3rd grade teacher, Ms. McKee. She explained that when faced with a student beset by negative behaviors, the best course of action is to highlight and praise positive ones. Catch them doing something good. Encouragement often works better than correction.

I also loved the idea that art is infection. When something is well written, the reader catches the writer's vision. He or she sees what the writer sees, feels what the writer feels. If you are writing on a subject you feel passionate about, that passion will pour from the pen. It will ignite passion in someone else.

At the end of this book, Ueland reiterates a dozen principles for creating art that further inspire the writer to think positively about their goals. She asserts everyone has talent, is original, and has something important to say. She reminds us that writing is a privilege rather than something too hard to approach. Her encouragement? "Write freely, recklessly, and in first drafts." This supports what I learned in almost ten years of participating in Nanowrimo (National Novel-Writing Month): writing flows when you silence the inner critic and push to create a rough draft. Spit it out! You can spit-shine later! 

Fear is often what holds a writer back. Will it be good enough? Ueland urges the writer not to fear writing terrible stories. She recommends writing two more and then returning to the first story. Good writing taps the true, honest, and untheoretical self. I loved her phrase, "Think of yourself as an incandescent power, illuminated by God." 

Moreover, she warns against the comparison trap. "You are like no other being ever created." Thus, I must remember that nobody else bears or can weave the story God has given me to weave. Makes me want to fire up my laptop and write!

Thursday, February 15, 2024

Mid-month Mention: Spring Author Talks and Upcoming Movies

AUTHOR TALKS:

Shortly after finishing Susan Meissner's Only the Beautiful, I discovered an author talk available with the writer in February (I mentioned it in my book review post).


Laura Beth Vietor (The Lover of Books) is also offering an author talk on May 6th at 8 p.m. with William Kent Kreuger, discussing The River We Remember. I have read and reviewed his books Ordinary Grace and This Tender Land. I have not yet read The River We Remember, so I'm not sure I'll attend this author talk, but he is certainly an author to watch. Again, if interested in participating search up The LBs (Lover of Books) page on Facebook, or her YouTube channel (for repostings - I noticed an author talk with Patti Callahan Henry for Once Upon a Wardrobe, a book I'm reading now, and one with Laura Spence-Ash, for her delightful Beyond That, The Sea).

Or you can participate in upcoming author talks with Jane Healey for her Historical Happy Hour: 

2/22/24 - Kristin Hannah, discussing The Women

3/5/24 - Allison Pataki, discussing Finding Margaret Fuller

3/28 - Kate Quinn and Janie Chang, discussing The Phoenix Crown

You can register to attend any of these live interviews at janehealey.com

I also stumbled upon an author talk for writers who wish to explore the therapeutic benefits of journaling. Though the free talk on February 7th has already passed, you may wish to join Dr. Hilton Koppe, author of One Curious Doctor, for his 2-part talk on Tending Heart: Reflective Writing for Well-being:



SPRING MOVIES:

ONE LIFE

A Bleecker Street post on Facebook has me excited about a movie coming in March:

"Embark on a journey of courage and compassion with Sir Anthony Hopkins in ONE LIFE. Based on the incredible true story of Nicholas Winton, a man who risked everything to rescue hundreds of predominantly Jewish children from Nazi Germany on the eve of WWII. Also starring Helena Bonham Carter, Johnny Flynn, and Jonathan Pryce, coming only to theaters March 15."

You can view the trailer here.

I'm not a big movie-goer, but I would love to see this one in the theater. Indeed, I was so intrigued, I watched a 60 Minutes news story about Nicholas Winton and then an older documentary, called Nicky's Family, available from my library on Kanopy.

SOMEONE LIKE YOU

I'm also interested in another movie due out on April 2nd, Someone Like You. Based on a Karen Kingsbury novel (brief review here) and produced by Karen Kingsbury Productions, the movie looks sweet and emotionally stirring.

You can view the trailer here.

UNSUNG HERO

The final movie I want to mention is one I will probably forego seeing in theaters and hope the library secures a copy at a later date. It is the story of the Christian musical group For King and Country. I had the rare opportunity to see them in concert at our 2015 annual Bible camp, CBLI. It is called Unsung Hero and opens on April 26th.

You can view the trailer here.

Thursday, August 31, 2023

Compilation: A Baker's Dozen Books About Writing Perseverance


This compilation was quite challenging. I've read scores and scores of books on writing, but I wanted to hone in on the ones that hammer the specific message of perseverance. I'm sure many of the other writing books I've read mention the importance of "Butt in chair. Do the work." However, these seemed to stand out:

  1. The Soul Tells a Story by Vinita Hampton Wright
  2. The Forest for the Trees by Betsy Lerner
  3. Before We Get Started by Bret Lott
  4. Letters and Life by Bret Lott
  5. Good Advice on Writing by William Safire and Leonard Safir
  6. Do the Work by Steven Pressfield
  7. The Writing Life by Annie Dillard
  8. Think Like a Five-Year-Old by Len Wilson
  9. Daily Writing Resilience by Bryan E. Robinson, PhD
  10. Wild Words by Nicole Gulotta
  11. Five Pages a Day by Peg Kehret
  12. Still Writing by Dani Shapiro
  13. Daily Rituals by Mason Currey



Monday, July 17, 2023

Mid-month Mention: When There Are No Words


I fell in love with Andrew Peterson's work bit by bit - first through his song, "Is He Worthy?", at the Sing Festival. Then I learned about his Rabbit Room blog when reading and reviewing Leif Enger's book, Virgil Wander. I also watched Peterson's address at the 2017 C. S. Lewis Summer Institute on "Calling and the Kingdom of God.". Next, I encountered his books on creativity, Adorning the Dark and The God of the Garden (both of which I highly recommend). Although I knew about the Rabbit Room, I only recently discovered the Rabbit Room Chinwag Facebook group. I joined and now I receive "rabbity posts" every day from like-minded creatives.

One of the members of the group, Michael J. Tinker, is a songwriter with a new album called, "When There Are No Words." I was drawn to this title, since it expresses the same sentiment as my tag line for my book, Watching the Wayward: Psalms for Parents of Prodigals. Apparently, he is starting a podcast by the same name. The podcast offers interviews with artists exploring grief and hope in their work. I listened to the first episode, an interview with Andrew Peterson, and deemed it worth the hour spent! There are already three more interviews available, as well: Sara Groves, Douglas McKelvey, and Jamin Still. I'm so happy I happened upon the Chinwag group and this new podcast in particular. Check it out!

Monday, May 15, 2023

Mid-month Mention: Writers and a Writers Conference


I'm not a big subscriber to newsletters. I only subscribe if my interest in the author's newsletter is strong. Plus, I would say a deal-breaker for me is an author who provides recommended reading titles. Jordan Raynor gives one noteworthy recommendation to close his weekly newsletter. I may skim through the devotional, but I always take time to consider the book suggestion. Jordan highlights non-fiction suggestions. You can visit his website and sign up for his newsletter if you want a weekly faith and work devotional along with a Christian non-fiction book recommendation.

In February, I entered a giveaway and encountered D'ann Mateer. She lives in Texas, just a stone's throw away from my son, Bryce. Her blog posts must have reeled me in because I signed on for her newsletter. She offers extensive reading recommendations and regular giveaways. In fact, it looks like now, if you sign up for her newsletter, you receive a free short story from her. That was not the case when I signed on. In addition, I trust her to recommend clean reads. Since she often highlights World War II novels, I forwarded her information to my sister, but I don't think she was up for more mail in her overflowing in-box. A few days ago, D'ann sent a book recommendation for an enticing book on Lewis and Tolkien. This month's newsletter highlighted a blog post about things she has learned about writing.

Learning more about writing is always on my mind. I've taken on-line courses and read books. But, when I lived in DeKalb, IL, my writing group often tried to take an annual trip to attend the Write-to-Publish Conference in Wheaton, IL. This was, perhaps, my favorite educational excursion. Oh, the laughs we had on the shared drive over and back. I attended two or three times while we lived in IL and have been once since we moved to IN. The only other similar conference I attended, was a one day meeting of the Society for Children's Book Writers and Illustrators in a quaint town in Wisconsin (where I tried to pitch my rhyming children's book, Recipe for Stew).

The Write-to-Publish Conference is under new leadership, now owned and managed by the Christian Writers Institute. It takes place at Wheaton College from June 13-16, 2023. If you wish to get in on the reduced rates, you must register by May 31st. Of course, the best approach is to pay for full registration, which includes all sessions and meals, plus 2 one-on-one meetings with key editors/agents, and a Friday night concert by Michael Card. 

I can't afford to invest in the full experience this year. Last time I attended for one day, so I considered doing so again. The full fee is $600, while the daily fee is a little over $200. Instead of 2 meet-ups with editors/agents, you only secure one. Plus, in viewing the schedule, the sessions I am most interested in fall on the final day - Friday. This poses a problem. In the past (although I don't know if this is still the method), you signed up for the slots at the outset of the conference. This would mean, by arriving Friday, all the slots will be gone and I will not make my hoped-for connections.

The most important benefit to attending a conference is making connections. You can connect with publishers and befriend other writers who may become cheerleaders for your writing goals. The last time I attended for one day, I did not pay for the meals (then, a separate fee) and thus didn't have those prime opportunities to sit with and talk to other writers or faculty members. A conference is an opportunity to network, learn, and grow as a writer. But there are key things to do to improve these results.

The first thing I always do is review which manuscripts I wish to pitch to editors or agents. Next, I study the faculty line-up. I get to know them and their manuscript interests. Then I write a list of individuals who might show an interest in what I'm pitching. The truly hard part is snagging time to make an elevator pitch (a one to two-minute hook to grab interest). If you cannot secure a one-on-one session, you must seek other opportunities in a natural and unobtrusive way. This is where meals were helpful, yet four or five other writers may be there wanting to pull the ear of the faculty member as well.

Once my game plan is in place, I skim the sessions on offer. I try to select topics that will improve my chances of meeting my writing goals. For Friday's first workshop, I'm torn between "The Formation and Execution of a Publishable Idea," and "Writing with God: Creating Spirit-led Content That Resonates, Maintaining Healthy Expectations, and Building an Unshakable Faith for Your Journey." For the second workshop, I'm torn between "The Most Common Mistakes Authors Make When Developing and Pitching Their Book Project," and "Writing to a Felt Need That Publishers Will Want to Publish and Readers Will Want to Read." This year, the plenary speaker is Dr. Leland Ryken, father of the current Wheaton College president and my former professor (I love his wry style). The evening speaker is Jerry B. Jenkins.

I'm noticing many changes to the structure and execution of the conference. Instead of meeting in the Billy Graham Center, they will hold sessions in the Beamer Center. This will be different. In the past, they offered a manuscript critique included with the conference fee. One year, the initial pages of one of my young adult novels netted a request for submission. That was exciting. Now, instead of providing a critique, the conference fee includes a copy of this year's Christian Writers Market Guide. They also used to offer a time for fellow-writer critiques. These sessions occurred after the evening program and provided a chance to read a bit of your work aloud and receive feedback. It seems to me there are hundreds of attendees and limited numbers of faculty meet-ups (were those one-on-one sessions previously ten minutes long, to accommodate more people?). Surely, they'd all be gone by the time I arrived on the final full day, so maybe my plan isn't productive. Still, if this is just the thing you need to jumpstart your writing career, check it out! 

Monday, April 10, 2023

Pilgrim's Progress in Many Forms

In February, a lovely friend of mine contacted me to ask if I would write a four-part play for her church's Vacation Bible School. She was reading Pilgrim's Progress for the first time with her sons and the story moved her. She wondered if I could work the book into a children's play with appeal for kids from ages 5 to 12. This sent me on a hunt for the beautiful children's version I had purchased in England during my time living there. (Side note: My husband is desperate for me to lean down our extensive collection of children's books, since our boys are now teens and young adults. This book reminds me why I hang on.)


My edition was retold by Jean Watson and published through Scripture Union in England in 1980. It is a beautiful book. The illustrations by Peter Wane are described as "warm, energetic drawings [that] capture the unique spirit of Bunyan's world, where dragons and demons mix with very human heroes and down-to-earth villains." The sketches are stirring and accompany the story well. After reviewing (and working from) several children's versions of Bunyan's esteemed book, I think this one is my favorite. Here is an example of one of the drawings within the book:


My second favorite children's version is also adapted by Jean Watson. It is called The Family Pilgrim's Progress and was also published in England by Christian Focus Publications, Ltd., in 2007. What I appreciated most about this version was the inclusion of accompanying scripture passages. I noticed this, too, in the one adult version by Bunyan that I checked out on my library's Hoopla. This is so helpful, because it parallels the story line to truths from God's Word. Clearly, John Bunyan was working from a solid knowledge of the Bible.


My third favorite was a bit of a surprise to me. One of my favorite middle grade authors is Gary D. Schmidt. He is the author of The Wednesday Wars, Okay for Now, Lizzie Bright and the Buckminster Boy, Orbiting Jupiter, and a major favorite, Trouble. I had no idea he had written a retelling of Pilgrim's Progress. His version was published by Eerdmann's Books for Young Readers in 2008. I was dismayed when my library said the book was due back with no renewals available because someone else wanted to read it. I milked the last 3 days with that book for all they were worth.


I consulted three other versions: A 2-volume Pilgrim's Progress Comic version published by Kingstone Comics. This would hold more appeal for young people seeking a heightened visual re-telling but, given some of the content, might be more appropriate for teens than children. Then there was Dan Larsen's retelling for Illustrated Christian Classics, published by Barbour and Company, Inc., in 1992. Finally, I briefly consulted Helen L. Taylor's Little Pilgrim's Progress, which claims over half a million sold, yet it was my least favorite version. I think my chief complaint is portraying Christian as a "little pilgrim." I suppose the constant identifier of "little Christian" didn't sit well with me. Not that this is a bad re-telling. I simply prefer the others over this one.

Since my library had an animated movie version, I figured I should research that, as well. Wow! If I had sat down with my young children, I might have turned this off. It is incredibly dark and the portrayal of evil, with grunts and screeches, and guttural sound effects, is almost terrifying. I understand that this is a story of good versus evil. I know that evil is always attempting to lure Christian off the path. Yet, in attempting to maintain children's attention, I think the embellishment of evil in the tale was extreme.

I was thrilled with the opportunity to work on a writing project again (my focus has been so absorbed with marketing my book that I haven't written regularly, apart from my daily morning pages). Plus, it was exciting to draw so many spiritual applications through re-telling Bunyan's splendid story. I guess my enthusiasm for these applications took hold because without prompting, I also worked up supplemental materials (curriculum they could use with the play presentation, scripture memory verses and games, and even a Walk-Through-the-Journey exercise to help kids cement the main ideas into a logical pattern with phrases and actions - similar to the Walk-Through-the-Bible program).

I came across one other version I would have loved to review. My sister texted to ask if I had seen the children's Pilgrim's Progress book that our friend, Sonja, sent with her grandchild as their family moves to do missionary work in Albania. It looked marvelous! Thankfully, I had enough options to work with to complete the task. The press for completion was so intense that I often woke from a dream about the play (that, and dreams of praying, since I've been laser-focused on that, as well).

Monday, March 20, 2023

Book Review: Inciting Joy

I stumbled upon this book in the audio selections at my library (on the display shelves, especially given the author's Indiana connections as a writing professor at Indiana University). Although I cannot grasp what it is to be a black man, and although I do not share many of this author's perspectives on life and politics, I fell in love with the poetic writing in these essays on joy. The subject is dear to my heart. I agree with much of what this author shares, especially the idea that pain and suffering are portals, necessary pathways, to joy.

In these lyrical, elegant essays, written in a conversational style, Ross Gay covers fourteen things that incite joy. While some are easily understood (laughter, gardens, school, dancing, music, and gratitude), others fall outside of my experience (basketball, skateboarding), and many are surprising (death, time, losing your phone, and falling apart). In each essay, I found things with which I heartily agree. In many essays, though, my perspectives differed.

The first incitement offered a beautiful glimpse of individuals sharing their sorrows, and the joy such sharing brings. In a touching essay on the death of his father, the author moves the reader to tears as he outlines the friction and the love coexisting. The potential within relationships. His last words are beautiful: "It was through my tears, I saw my father was a garden. Or the two of us, or the all-of-us, not here long maybe it is. And from that what might grow." Next, he covers the generosity of gardening. He suggests that instead of cursing darkness, we might plant some seeds and share what grows. He discusses poetry, and what poetry can produce within us.

So much of this writing is beautiful and thought-provoking and brilliant. I love a well-turned word and a meticulously crafted metaphor. I love his deep understanding of, and desire for, fairness and compassion. Listening to his writing style - the repetitions, the pet phrases ("in which I mean," "which, I've said this before," and "or to come back to where we started..."), and the poetic expression of deep and important thoughts - makes the audio version the best way to experience this book. However, having said that, the use of expletives (why? unnecessary and interruptive) also made this version one I could only tolerate in my car (away from my husband walking into the room, hearing the profanity, and saying, "What ARE you listening to?").

The longer I listened, the less I felt those common bonds. Instead, it seemed the author was pointing a finger at me and accusing me of being the source of so many problems. My capitalism, my encouragement of excellence and competition, my desire to nurture the good and the upright, in his eyes, my white skin, lead to injustice and suppression. Indeed, he views cheating as "sharing ideas," and something to applaud (isn't this an injustice to the individual who studied to achieve his grade). He throws out grades because they stifle creativity. 

It felt as if he sees me, without cause, as an oppressor and a purveyor of injustice upon injustice. In that, our common goal of fairness and compassion, of living together in peace and making one another better than we were before we entered relationship, fizzled and dissolved. So, on the one hand, I loved this "wondering-aloud," this "finding in the minutiae of life the grand themes of human existence," and on the other hand, I shook my head, because you cannot attempt to repair the broken by breaking further. You cannot heal division by inciting more division. You cannot blindly overlook while saying, "everyone needs to be seen."

Content Caution: 📒 - language

Thursday, December 15, 2022

Book Review: Dear Dana

Two things converged to bring this compulsively readable book into my life. Thanks to an Amazon gift card from a friend, I felt free to spend the money on books. Then, to earn more sweepstakes entries, I signed on for Book Bub. This has been a double-edged sword for me. While I love book recommendations, the daily smattering of titles increases my burgeoning wish list and TBR piles. For this book, I saw the title (Dear Dana: That time I went crazy and wrote all 580 of my Facebook friends a handwritten letter), noticed the low e-book price ($.99), clicked to purchase, and immediately started reading (on my Kindle for PC).

I love everything about this idea. Letter writing saved my life! When I moved in my senior year of high school, when I launched out at a college where I knew not a soul, when I moved overseas to live and work in England for seven months, and when I courted my husband during graduate school, letter writing kept me going. I still keep a stack of those old letters in my closet. I may not read them often, but they are too significant to throw away. They were a lifeline to sanity when loneliness might have driven me crazy.

Crazy! That's what Amy Weinland Daughters must have been to embark on this daunting task. But, how cool! Amy noticed a Facebook friend, Dana, posting about her son's battle with cancer. When the mother and son moved to Memphis for his treatment at St. Jude's, Amy felt compelled to send letters. Sadly, the stricken son died. Amy recalled a comment by a neighbor who, after grieving her lost husband, mentioned that at some point the casseroles and letters cease. Amy didn't want that to happen to her Facebook friend, even though they hadn't seen one another in thirty years. But how to continue expressing her condolences and prayers? She didn't even have an address for Dana. This little realization triggered something that resonated deep within. The impact of receiving a handwritten letter is incalculable. What if Amy wrote a letter (not just a note, but a 2-pager) to every Facebook connection she had?

What's even crazier? She put feet to the plan. She created a spreadsheet, placed the names in a box, pulled out each name, and wrote to each individual, no matter how close or distant in life. I rarely highlight passages in memoirs, but I did so in this book. The exercise changed Amy's heart, and mine too. I wanted to share a few of those nuggets, but in writing them down, they took up almost two pages. Here are a few key points: small, everyday actions can morph into big things; writing letters is therapeutic for both the sender and receiver; intentional letters have no monetary value, but exponential personal worth; and our interactions with people can change us if we remain open and teachable, looking for that potential in even seemingly insignificant or limited relationships (i.e., Facebook friends you have never even met but connected with through some random situation).

She presented one concept I'd love to explore more. Dana asked Amy to join in a 5K for cancer awareness. The physical exertion of this was more than Amy was accustomed to (after health issues). Her observation about praying through the physical pain struck me. She wrote, "Not only did turning my focus to God get me through the next lap, I prayed in a way I never had before. Being depleted physically seemed to augment me spiritually." I'm guessing this principle might apply to fasting as well. Hmm.

As her sister-in-law said, "Don't think that your words aren't life to someone and aren't well received if they don't quite know how to respond." So often, we crave feedback from what we send out into the world. This is inspiration and encouragement for writing, as well as posting on Facebook. Amy wrote, "The key is to... continue to press on boldly... regardless of any lack of feedback." She encourages the reader to never let a lack of "likes" keep you from sharing something that might help another individual.

Amy's correspondence with Dana was life-giving. She gave of herself in prayer and writing. Dana responded, "Know that every word you write matters!" In the same way, through her Facebook letter writing project, Amy learned, "Being connected to each was far more than an exercise in randomness and instead a very deliberate pattern that meant God had been looking out for me through relationships from the beginning."

Deal for today only: To the first five individuals who send me their email that is attached to their Kindle account (you can easily read with the Kindle for PC or Kindle on phone app), I will gift you a copy of this e-book. Express your interest and send your email address to wendy@wendygortonhill.com. Merry Christmas and happy reading and letter writing! 

Monday, August 1, 2022

Book Review: Around the World in Eighty Days

After the lengthy McCullough book, I was in the mood for something shorter. So, I picked up Jules Verne's Around the World in Eighty Days. This was published in serial form. It aroused so much excitement that "readers placed bets on the outcome of Phileas Fogg's endeavor." Serialized novels were all the rage, but are they making a comeback?

Last month, a sponsored ad appeared on my Facebook page for a book delivered in installments by letter (the Flower Letters). Yes, I opened the ad. No, I did not spend an arm and a leg to receive more interesting mail than usually comes in my post box. Are there really people willing to pay $12 a month for a year? $144 novel, just because they send it with stamps in 24 installments. Seriously? Now if only I could find a few writers in my writer's group willing to send their novels in installments, for review and critique, for the price of the stamps. That would be entertaining and productive in one go. Frankly, I'd be willing to send one of my novels, in installments, for just $5! It would be worth the difference to me to receive honest feedback. Anyone game?

But, back to the classic. At the gentleman's club where Phileas Fogg spends his time, he places a bet that he can traverse the entire globe in eighty days. The travel arrangements are fraught with obstacles and delays. Plus, a detective is trailing Fogg, convinced he is a criminal. I'm so glad I listened in audio form. I would have never pronounced the servant's name, Passepartout, correctly. They up the ante again and again, yet Fogg never flinches. He is determined to win his bet. I was determined to hear it out until I learned his outcome. My library has the 2004 movie version, but it is 3 hours long. Who has time for that?

Wednesday, April 13, 2022

Book Review: These Precious Days

I'm familiar with Ann Patchett's name. I even purchased a copy of her book, Bel Canto, after reading about it on another book review blog. However, it has remained unopened in my basement for years. It is always interesting how a variety of connections bring you to a particular book. Here, my renewed interest in reading Ann Patchett's work developed through an interview with Kate Di Camillo (a favorite children's author) on a podcast about book recommendations. I finally read one of her books, The Dutch House, two years ago.

I love reading personal essays. Something about getting inside another person's brain and life experiences is very appealing. Plus, often, you glean wisdom about writing. These Precious Days presents a variety of topics, but all of them home in on the gifts of relationship, writing, and reading. She writes about relationships with her three different fathers. I laughed out loud as she described her relationship with her best friend, Tavia. She describes Tavia as a gorgeous and popular girl who draws people like moths to a flame. This was perhaps my favorite passage:

"Boys trailed her like a tail on a kite, discomfited by desire.... As for me, well, I wasn't that girl. Not only did I pale beside her (of course I did, everyone did), but I lacked her buoyancy and ease as well. I was a serious kid. No boys were standing outside my window. 'You were too busy making art,' she tells me, as if boys were kept away by the force field of my poetry, my ceramics."

Too funny! I laugh because I relate! My other favorite essay explains the writing wisdom gleaned from Snoopy. Yes, Snoopy! It is a beautiful piece any writer will enjoy. In it, she shares a hilarious snippet where Snoopy receives an invitation to come out and play. In true rejection letter format, he gives his apologies and ends with, "We hope you will be successful elsewhere." Ha!

She also shares homage essays to Eudora Welty and Kate Di Camillo. Since I love Kate Di Camillo's work (sad to say, not as familiar with Welty), I now intend to remedy the oversight of missing her book called The Magician's Elephant. This is the one Patchett declares her favorite. She writes about coming to provide an endorsement for Tom Hanks' short story collection and then through him, meeting his personal assistant, Sooki. She writes about securing Hanks as the narrator of the audio version of The Dutch House (the way I consumed the book).

The title of this book comes from her interactions with Sooki. A very private woman, Sooki shares a simple statement of her battle with cancer. Patchett, whose husband is a doctor, secures her a spot in local clinical trials and invites her to stay in their home. Ah, the beauty of this example of giving leading to far greater receiving. As is always true, when you open your heart to another, your own heart expands.

Content caution: 📒 - the book explains her father's unheeded suggestions to remove sexual content from her books and also shares an experience with drugs, intended to ease some of Sooki's pain.

Monday, April 4, 2022

Author Website & More Free Pdfs

 


WORDS TO FIX YOUR FOCUS AND SOOTHE YOUR SOUL

My first book of poetry, Watching the Wayward: Psalms for Parents of Prodigals, is available now as an e-book. 



In anticipation of that, I battled my technology-intimidation and created an author website. If you visit the site at www.wendygortonhill.com you will find two separate offers for further free pdfs (in addition to my recommended reads pdf offered here, in the sidebar at the right). The first one on offer is a sample of my poetry. The sample pdf provides four of the poems from my coming book, along with three additional poems. The second pdf provides a resource for parents of prodigals. I have gathered a vast listing of blogs, books, open Facebook groups, organizations, podcasts, and prayer support & downloadables.

You can also find links to published work elsewhere (articles) and fresh contact information. If you have a moment to spare, please visit my new website. Thanks!